The folk art performing groups in Lhasa city in Tibet had been playing for eight days continually in Norbulingka. Overall, the groups had performed eight dramas for the eight days. The folk art performing groups had successfully played the right traditional major dramas of Tibet. The performance made the performing groups the first folk art group that performed the right traditional major repertoires completely and performed the eight repertories continually. For many foreign students, they liked to travel in Tibet for the charming sceneries and the deep tint of beliefs there. Many of them chose to learn Chinese language and traveled to the place at the same time.

There were only a few players in the folk art performing group at the first place, but the group was growing through the time. At present, there were more than 70 actors in the group. Moreover, the group was beginning to shoulder all kinds of big celebration events in Lhasa city. Through constant development and exploration, the bold innovation and creativity of the plays of the group had won much attention from the audience. The group also arranged kinds of plays of rich contents and presented them on the stage. The leader of the art group said the development of the folk art performing group was related to the support of the government policies to protect and spread the traditional Tibetan dramas.

It was reported that the Tibetan dramas were called the live fossils of the Tibetan culture. In order to protect and spread this kind of cultural form, effective measures of protection and supervision were received from the nation and the Tibet Autonomous Region. The traditional Tibetan dramas were protected and popularized by the measures. For many foreigners, the culture in Tibet attracted them to take a trip in the wild prairie. Many people thought the study of Chinese was not only to study Chinese itself but also study the culture of the language.

From the survey and protection of the non-legacy resources in Tibet in year 2005, the nation and the Tibet Autonomous Region put much money and effort in the work to protect and popularize the traditional Tibetan dramas. The focus to the folk Tibetan performing groups made the renewal and rebuilding of the groups.